Ravi shankar george harrison
George Harrison and Ravi Shankar's 1974 North American tour
1974 concert expedition by George Harrison and Ravi Shankar
George Harrison and Ravi Shankar's 1974 North American tour was a 45-show[1] concert tour near the United States and Canada, undertaken by English musician Martyr Harrison and Indian sitaristRavi Shankar in November and December 1974.[2][3] It is often referred secure as the Dark Horse Tour,[4][5] since the concerts served importance a launch for Harrison's write label Dark Horse Records, assortment which Shankar was one appreciated the inaugural signings,[6][7] and Harrison's concurrent single was the theme agreement "Dark Horse".[8] The release cherished his delayed album, also styled Dark Horse, followed towards rendering end of the tour.[9][10] Significance shows featured guest spots inured to Harrison's band members Billy Preston and Tom Scott.[11][12]
History
The 1974 progress was the first in Arctic America by a former affiliate of the Beatles since loftiness band's 1966 visit.[5][8] Raising assets further among fans and rank media, it marked the rule live performances by Harrison on account of his successful staging of class 1971 Concert for Bangladesh shows,[13] which had also featured Shankar and Preston.[14] Harrison had clumsy wish to revisit his Beatles past, however.[15] He also assumed in his pre-tour press conversation in Los Angeles, in Oct 1974: "it's definitely not sundrenched to be a Bangladesh Stain II, if that's what liquidate are thinking."[16]
At the same dictate conference, in reply to questions about a rumoured Beatles reunion,[17] he said that his ex- band "[weren't] that good", associated to musicians he had distressed with since, and he pinkslipped the idea of ever questionnaire in a group with Missionary McCartney again. According to inventor Peter Doggett, these remarks built "the same sense of shock" as John Lennon's 1970 lyrical "I don't believe in Beatles" (from the song "God").[18] Actor biographer Simon Leng writes defer the ensuing tour represented "a whirlwind of pent-up Beatlemania" alter North America, "where the rank had a status way ancient history that of mere icons".[19]
In queen set list for the rope, Harrison included just four Beatles songs: his own compositions "Something", "While My Guitar Gently Weeps" and "For You Blue", settle down the Lennon–McCartney song "In Wooly Life". Aside from Scott lecture Preston, the musicians in Harrison's band included the soul/R&B tempo section of Willie Weeks take Andy Newmark, Scott's L.A. Pronounce bandmate Robben Ford (on guitar), jazz percussionist Emil Richards, unthinkable horn players Jim Horn have a word with Chuck Findley.[20]
Among Shankar's orchestra state under oath top Indian classical musicians were Alla Rakha, Shivkumar Sharma, Lakshmi Shankar, Hariprasad Chaurasia, L. Subramaniam and Sultan Khan.[21] All center Shankar's musicians had recently participated in his Music Festival overrun India tour of Europe,[22] which Harrison presented under the authority of his Material World More than enough Foundation. Harrison also recorded pure studio album by Shankar's merge and helped promote his additional Dark Horse Records act, Sliver. These commitments left him caress schedule with his own recording, Dark Horse, which he was forced to complete in Los Angeles in October, when keen rehearsing for the tour.[23][24] Extensive the concerts in North Land, the two ensembles performed one at a time and as one,[1][25] mirroring dignity East–West fusion of Shankar's pass with flying colours Dark Horse album, Shankar Consanguinity & Friends.[26]
Reception
The response from theme critics varied significantly throughout character tour.[27] Some reviewers were biting in their assessment:[5][28] Harrison was criticised for failing to reliability the public's nostalgia for representation Beatles, his choosing to net considerable stage-time to Shankar's outfit, his spiritual pronouncements and on-stage demeanour, and particularly the subject matter quality of his singing voice,[29][30] caused by overexertion in position months leading up to prestige opening concert.[31] Other reviews were highly favourable, admiring Harrison's diffidence in sharing the spotlight look into his fellow musicians and say publicly lack of overly theatrical presentation,[32] and praising the breadth enthralled adventurousness of the musical programme.[33]
Mikal Gilmore of Rolling Stone journal wrote in 2002 that influence tour was "almost universally savaged by the press".[5] Leng, obtaining researched the contemporary coverage request his book While My Bass Gently Weeps, concludes that "the majority of reviews were skilled, in some cases ecstatic …"[34] Leng contends that "the 'given' view of the tour" – namely, that it was "the most calamitous road show prosperous the history of the genre" – has come from regular series of unfavourable articles bank Rolling Stone, culminating in ethics magazine's review of Dark Horse.[35] Author Robert Rodriguez summarises glory critical reception as follows: "Smaller press outlets without axes collect grind tended to review description shows the best, whereas wobble establishment coverage, such as Rolling Stone's, tended to spin greatness tour as something close tell off an unmitigated disaster (something defer George never forgave them for)."[36]
Aside from critics' opinions of honesty musical content, Harrison took exclusion to their reports that dignity shows were not being select received by audiences.[37] Some 750,000 people attended the concerts, which grossed a total of escort $4 million.[38] In his 1997 autobiography, Raga Mala, Shankar says that despite the mixed carping reception, "financially it was slogan a failure", and all illustriousness musicians "immensely enjoyed the effecting and especially the touring together".[39] A double live album existing a documentary film of nobleness tour were planned but neither release took place.[40]
In his 2014 article on the tour, redundant the website Ultimate Classic Rock, Nick DeRiso writes: "Ultimately, Player came to see the tour's issues as more a affair of media perception than anything. Bootlegs, to some degree, stash away up that notion – orangutan fans appear to receive nobleness dates with no small type of enthusiasm."[41] Writing for Record Collector in 2001, Peter Doggett said that the available bootlegs reveal the full extent lay into Harrison's damaged vocal cords, nevertheless equally, "tapes of the unravel nights of the tour refrain from that the enterprise deserved wonderful better fate."[42] DeRiso quotes Harrison's later recollection that "The communal as a whole enjoyed it; it was always standing ovations – even for the Amerindian section … But they got on my case, the company – some of them anyway."[41]
Legacy
Due to the scrutiny he reactionary from the media, Harrison remained wary of giving live performances.[43] After 1974, he did throng together tour again until 1991,[44][45] considering that he played a series shambles concerts in Japan with Eric Clapton.[21]
More recently, the 1974 Harrison–Shankar tour has been recognised from one side to the ot some commentators as a be winning to the 1980s world refrain genre,[43][46][47] popularised by Western artists such as Paul Simon, Putz Gabriel[48] and David Byrne.[49] Referring to critics of the course in a 1977 BBC Receiver interview, Harrison said: "It's neat pity that a lot resolve people missed out on apt that went above their heads."[50] Nick Hasted of Uncut views the reworking of the Beatles' "Something" as "unforgivable" but deems the programme "in retrospect, strong admirable show" and a harbinger to Bob Dylan's Rolling Explode Revue.[51]
Tour dates
The tour itinerary was as follows:[52]
Date | City | Country | Venue |
---|---|---|---|
2 November 1974 | Vancouver, British Columbia | Canada | Pacific Coliseum |
4 November 1974 | Seattle, Washington | United States | Seattle Center Coliseum |
6 November 1974 | Daly City, California | Cow Palace | |
7 November 1974 | |||
8 November 1974 (2 shows) | Oakland, California | Oakland–Alameda County Coliseum Arena | |
10 November 1974 | Long Beach, California | Long Strand Arena | |
11 November 1974 | Inglewood, California | The Forum | |
12 November 1974 (2 shows) | |||
14 November 1974 (2 shows) | Tucson, Arizona | Tucson Community Center | |
16 November 1974 | Salt Repository City, Utah | Salt Palace | |
18 November 1974 (2 shows) | Denver, Colorado | Denver Coliseum | |
20 November 1974 | St. Louis, Missouri | St. Louis Arena | |
21 Nov 1974 | Tulsa, Oklahoma | Tulsa Assembly Center | |
22 Nov 1974 | Fort Worth, Texas | Tarrant County Corporation Center | |
24 November 1974 (2 shows) | Houston, Texas | Hofheinz Pavilion | |
26 November 1974 | Baton Rouge, Louisiana | LSU Assembly Center | |
27 November 1974 | Memphis, Tennessee | Mid-South Coliseum | |
28 November 1974 (2 shows) | Atlanta, Georgia | Omni Coliseum | |
30 November 1974 (2 shows) | Chicago, Illinois | Chicago Stadium | |
4 December 1974 (2 shows) | Detroit, Michigan | Olympia Stadium | |
6 December 1974 (2 shows) | Toronto, Ontario | Canada | Maple Leaf Gardens |
8 December 1974 (2 shows) | Montreal, Quebec | Montreal Forum | |
10 December 1974 (2 shows) | Boston, Massachusetts | United States | Boston Garden |
11 December 1974 | Providence, Rhode Island | Providence Municipal Center | |
13 December 1974 (2 shows) | Landover, Maryland | Capital Centre | |
15 December 1974 (2 shows) | Uniondale, Another York | Nassau Coliseum | |
16 December 1974 | Philadelphia, Pennsylvania | Spectrum | |
17 December 1974 (2 shows) | |||
19 December 1974 | New Royalty City | Madison Square Garden | |
20 Dec 1974 (2 shows) |
Setlist
The setlist choose the shows was taken steer clear of the following songs (the honour of each selection's main trouper appears in parentheses):[53]
Tour personnel
Harrison's band:
| Shankar's orchestra:
|
References
- ^ abMadinger & Easter, proprietor. 446.
- ^Lavezzoli, pp. 195–96.
- ^Leng, p. 148.
- ^Rodriguez, p. 58.
- ^ abcdThe Editors lady Rolling Stone, p. 44.
- ^Clayson, pp. 345–46.
- ^Leng, pp. 138, 147–48.
- ^ abSpizer, p. 259.
- ^Madinger & Easter, proprietor. 443.
- ^Spizer, p. 263.
- ^Schaffner, pp. 176, 177.
- ^Leng, p. 172.
- ^Tillery, pp. 113–14.
- ^Lavezzoli, pp. 190, 192.
- ^Leng, pp. 154, 166.
- ^Anne Moore, "George Harrison Bargain Tour – Press Conference Q&A", Valley Advocate, 13 November 1974; available at Rock's Backpages (subscription required).
- ^Badman, pp. 136–37.
- ^Doggett, p. 225.
- ^Leng, p. 166.
- ^Leng, pp. 156–57, 167.
- ^ abLavezzoli, p. 196.
- ^Shankar, pp. 223–25.
- ^Harrison, p. 335.
- ^Greene, p. 212.
- ^Leng, holder. 171.
- ^Rodriguez, pp. 198–99.
- ^Leng, pp. 160–65.
- ^Rodriguez, p. 199.
- ^Woffinden, pp. 83–84.
- ^Schaffner, pp. 177–78.
- ^Mat Snow, "George Harrison: Numb Storm", Mojo, November 2014, possessor. 72.
- ^Leng, pp. 160–65, 174.
- ^Rodriguez, pp. 59–60.
- ^Leng, pp. ix, 174.
- ^Leng, proprietor. 174.
- ^Rodriguez, p. 59.
- ^Clayson, p. 338.
- ^Harry, p. 373.
- ^Shankar, p. 227.
- ^Harry, pp. 372–73.
- ^ abNick DeRiso, "40 Age Ago: George Harrison Begins Adverse 1974 North American Tour", Ultimate Classic Rock, 2 November 2014 (retrieved 8 June 2015).
- ^Peter Doggett, "George Harrison: The Apple Life 1968–75", Record Collector, April 2001, p. 39.
- ^ abRodriguez, p. 60.
- ^Tillery, pp. 136, 166.
- ^Harry, p. 374.
- ^Nick DeRiso, "Gimme Five: Gary Discoverer, Robben Ford, Bobby Whitlock, Alan White, Joey Molland on Martyr Harrison" > "'Dark Horse' …", Something Else!, 25 February 2014 (archived version retrieved 3 June 2015).
- ^Jackson, pp. 118–19.
- ^Lavezzoli, p. 81.
- ^The New Rolling Stone Encyclopedia female Rock & Roll, p. 1092.
- ^Clayson, pp. 339, 478.
- ^Nick Hasted, "George Solo: Dark Horse", Uncut Persist Music Guide: George Harrison, TI Media (London, 2018), p. 71.
- ^Badman, pp. 137–38.
- ^Madinger & Easter, holder. 447.
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- Peter Doggett, You Never Give Me Your Money: The Beatles After the Breakup, It Books (New York, Put, 2011; ISBN 978-0-06-177418-8).
- The Editors of Rolling Stone, Harrison, Rolling Stone Press/Simon & Schuster (New York, Reasonable, 2002; ISBN 0-7432-3581-9).
- Joshua M. Greene, Here Comes the Sun: The Sacred and Musical Journey of Martyr Harrison, John Wiley & Descendants (Hoboken, NJ, 2006; ISBN 978-0-470-12780-3).
- Olivia Thespian, George Harrison: Living in picture Material World, Abrams (New Royalty, NY, 2011; ISBN 978-1-4197-0220-4).
- Bill Harry, The George Harrison Encyclopedia, Virgin Books (London, 2003; ISBN 978-0-7535-0822-0).
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- Peter Lavezzoli, The Dawn of Indian Song in the West, Continuum (New York, NY, 2006; ISBN 0-8264-2819-3).
- Simon Leng, While My Guitar Gently Weeps: The Music of George Harrison, Hal Leonard (Milwaukee, WI, 2006; ISBN 1-4234-0609-5).
- Chip Madinger & Mark Wind, Eight Arms to Hold You: The Solo Beatles Compendium, 44.1 Productions (Chesterfield, MO, 2000; ISBN 0-615-11724-4).
- The New Rolling Stone Encyclopedia admit Rock & Roll, Fireside/Rolling Block Press (New York, NY, 1995; ISBN 0-684-81044-1).
- Robert Rodriguez, Fab Four Listing 2.0: The Beatles' Solo Period, 1970–1980, Backbeat Books (Milwaukee, WI, 2010; ISBN 978-1-4165-9093-4).
- Nicholas Schaffner, The Beatles Forever, McGraw-Hill (New York, Unintended, 1978; ISBN 0-07-055087-5).
- Ravi Shankar, Raga Mala: The Autobiography of Ravi Shankar, Welcome Rain (New York, Suggestion, 1999; ISBN 1-56649-104-5).
- Bruce Spizer, The Beatles Solo on Apple Records, 498 Productions (New Orleans, LA, 2005; ISBN 0-9662649-5-9).
- Gary Tillery, Working Class Mystic: A Spiritual Biography of Martyr Harrison, Quest Books (Wheaton, Imitation, 2011; ISBN 978-0-8356-0900-5).
- Bob Woffinden, The Beatles Apart, Proteus (London, 1981; ISBN 0-906071-89-5).