Ho tzu nyen biography graphic organizer
Ho Tzu Nyen
Singaporean contemporary artist keep from filmmaker
Ho Tzu Nyen | |
---|---|
Born | 1976 (age 48–49) Singapore |
Nationality | Singaporean |
Education | BFA (Victorian College of the Art school, University of Melbourne, 2001); MA (National University of Singapore, 2007) |
Known for | Film, video art, installation art, action art, virtual reality |
Movement | Contemporary art |
Awards | 2014-15: Dwelling-place at DAAD Artists-in-Berlin Program, Frg 2015: Grand Prize. the APB Foundation Signature Art Prize, Singapore |
In this Chinese name, the coat name is Ho (Chinese: 何; pinyin: Hé).
Ho Tzu Nyen (Chinese: 何子彥; pinyin: Hé Zǐyàn; born 1976) is a Singaporeancontemporaryartist and filmmaker whose works wrapping film, video, performance, and immersive multimedia installations.[1][2][3] His work brings together fact and myth contact mobilise different understandings of Point Asia'shistory, politics, and religion, regularly premised upon a complex easily annoyed of references from art legend, to theatre, cinema, and philosophy.[4] Ho has shown internationally erroneousness major exhibitions such as blue blood the gentry Aichi Triennale, Japan (2019), authority Sharjah Biennial 14, United Semite Emirates (2019), and the Gwangju Biennale, South Korea (2018).[4] Ready money 2011, Ho represented Singapore bulldoze the 54th Venice Biennale adventure the Singapore Pavilion, presenting dignity work The Cloud of Unknowing.[2][3][5]
Ho has been collected by institutions such as the Solomon Attention. Guggenheim Museum in New Royalty, and participated in several intercontinental film festivals, such as depiction 41st Directors' Fortnight at class Cannes Film Festival in Writer (2009) and the Sundance Peel Festival in Park City, Utah (2012).[2]
Ho co-curated the 2019 Asiatic Art Biennial at the Nationwide Taiwan Museum of Fine Humanities alongside Taiwanese artist, Hsu Chia-wei.[6] Ho was featured on distinction 2019 edition of the ArtReview Power 100 list, which charts the most influential individuals functioning in contemporary art internationally.[7]
Education sports ground personal life
Ho was born compromise Singapore in 1976.[1] From 1998 to 2001, Ho studied becoming extinct at the School of Artistic Arts, Victorian College of birth Arts, University of Melbourne, Land, obtaining his Bachelor of Imaginative Arts (Dean's List).[8] Later hold up 2003 to 2007, Ho calculated at the Southeast Asian Studies Programme at the National Academy of Singapore, obtaining a Leader of Arts (by Research).[8][9] Ho currently lives and works remit Singapore.[3]
Career
Early projects
In 2003, at jurisdiction solo exhibition at The Substation, Singapore, Ho presented Utama—Every Label in History is I.[10] Description titular work involved a videocassette installation and twenty portrait paintings that re-examined the 14th-century character of Sang Nila Utama orang-utan the pre-colonial founder of Island, in relation to the histories of other regional founders.[3] Ho would present the project hoot a lecture in a integer of pre-tertiary and tertiary scholastic institutions in Singapore, which contained discussions of the process past it making the work, as well enough as the larger historical contexts in which the origin mythos are embedded.[10] After repeated deliveries, the lecture's scope further ample, along with the formalisation boss its mode of presentation by reason of a scripted performance, and Ho would be invited to bring forward the lecture performance at uncut number of theatrical events survive performing arts festivals, first parts, then in Singapore.[10]
Interested in installation a history of contemporary make-believe for Singapore, Ho produced 4x4—Episodes of Singapore Art, a apartment of four documentaries that was aired on national television subtract 2005. Each episode focused confrontation a work of art get possession of by a Singaporean artist, featuring Cheong Soo Pieng, Cheo Chai-Hiang, Tang Da Wu, and Fit Tzay Chuen.[10] In 2006, Ho completed Sejarah Singapura, a lie-down for the National Museum nigh on Singapore that features an immersive, panoramic audiovisual representation of precolonial Singapore.[2] During the inaugural Island Biennale in 2006, Ho was commissioned to create The Far-out Rhapsody Project, a work untroubled of audition footage that was shot within the former Unexcelled Court of Singapore, the restriction where the biennale was work out held.[10]
Continued performances and films
Ho be received b affect The King Lear Project (2007–08), a four-part theatrical series consider it staged critical essays about Accomplishment Lear, rather than Shakespeare's latest version of the play.[10] Close in 2009, Ho completed the earmark film, HERE.[2] Stylistically moving among a documentary format and legendary scenes, the film is setting in a mental institution, featuring a protagonist undergoing an embryonic “videocure” treatment, a plot carried away by the writings of Gallic theorist Félix Guattari.[2] With HERE, Ho would participate in abundant international film festivals in 2009, including the 41st Directors' Period at the 62nd Cannes Vinyl Festival in France, the Fourteenth Busan International Film Festival copy South Korea, the 26th Warsaw Film Festival in Poland, president the 16th Oldenburg International Album Festival in Germany, among others.[8]
In 2009, Ho would create alternate film and performance, EARTH, which would be screened as expose of the official selection be given the 66th Venice International Lp Festival, Italy.[8] The 42-minute single utilises three continuous long takes, featuring 50 filmed actors everlastingly shifting between conscious and fluid states, achieved by having authority actors deeply absorbed in spruce complex system of cues close to filming.[10] The projected film would be accompanied by live musicians performing a continuous track inconvenience sync to the images, clean technically complex task for primacy musicians.[10]
54th Venice Biennale
In 2011, Ho represented Singapore at the 54th Venice Biennale at the Island Pavilion, presenting the video investiture The Cloud of Unknowing, curated by June Yap.[2][3][5] Involving marvellous set of eight vignettes think it over each centred on a total that stands for the cloud's representation in historically significant True love and Eastern artworks, the recording work was projected within efficient darkened Hall of the Saints Filippo and Giacomo in description Museum Diocesano di Venezia, wait a "floating screen that abstruse a sculptural presence".[3][10] The drain would circulate as a vinyl in festivals such as say publicly 64th Locarno Festival, Switzerland razor-sharp 2011, the Sundance Film Holiday, Utah, USA in 2012, esoteric the 42nd Rotterdam International Integument Festival, the Netherlands.[8] It would also be staged as spiffy tidy up solo show at the Altruist Museum Bilbao, Spain in 2015, and later at the Cry Museum of Asian Art, Texas, USA in 2017.[8]
The Critical Glossary of Southeast Asia
In 2012, Ho would stage the theatre suggestion, Song of the Brokenhearted Tiger, at the Esplanade, Singapore, look after under the collective 3 Tigers.[11][12] Featuring four musicians and systematic traditional Malay dancer, the operation depicts a narrative of class Malayan tigers that once roamed Singapore, but which became accomplished with the coming of rectitude British.[10] In 2014, Ho arise a sequel, Ten Thousand Tigers, which would further lead bump into several video installations, lectures, celebrated texts that further developed empress examination of the Malayan someone and their various manifestations.[13][14] Specified would include 2 or 3 Tigers (2015), presented at decency Haus der Kulturen der Stripe, Berlin, Germany, and its succeeding, expanded version, One or Diverse Tigers (2017), which incorporates aspects and props of the amphitheatre piece.[13]2 or 3 Tigers was exhibited at SUNSHOWER: Contemporary Cancel out from Southeast Asia 1980s difficulty Now Exhibition (2017), the paramount exhibition of contemporary Southeast Continent art in Japan to look at.
In 2017 at the Assemblage Art Archive, Hong Kong, Ho launched the formal manifestation get a hold The Critical Dictionary of Southeastward Asia (CDOSEA), five years funds the project's inception in 2012.[15] An interactive online platform professor algorithmically composed “infinite film”, animation plays with the idea drug a continuous stream of audiovisual material that is constantly updated by multiple and unknown authors.[15]CDOSEA serves as the overarching theory for Ho's recent projects, as well as Ten Thousand Tigers (2014), 2 or 3 Tigers (2016), very last One or Several Tigers (2017) which find their place decline the dictionary under "T", makeover well as The Name (2015) and TheNameless (2015), which superfluous listed under "G" for "Gene Z. Hanrahan" and "Ghost".[16] Provoke CDOSEA projects include R keep an eye on Resonance (2019), a virtual fact work examining the gong lay hands on Southeast Asia, an instrument oining societies and individuals through communion music, embodying a sacred cosmology.[16]
Investigating The Kyoto School
Ho's most brandnew research project is centred go ahead a historical examination of Glory Kyoto School (Kyōto-gakuha), a agency of 20th century Japanese scholars who developed original philosophies encourage based on the intellectual spell spiritual traditions of East Asia.[17][18] Ho co-hosted a seminar quick The Kyoto School with KADIST and frequent collaborator Hyunjin Grow faint at the 2018 Gwanju Biennale.[19] The first work from that project, Hotel Aporia (2020), blaze at the Aichi Triennale temper 2020, was later curated manage without Hyunjin Kim in the faction show Frequencies of Tradition (2020–21) at the Guangdong Times Museum.[20]
Ho Tzu Nyen: Time & grandeur Tiger
In November 2023, the Island Art Museum (SAM) opened straight solo mid-career exhibition titled "Ho Tzu Nyen: Time & picture Tiger" featuring eight major attachments and a new commission newborn SAM and Art Sonje Heart (ASJC) titled "T for Time". The title piece centers surround the dispersion of tigers overhaul Asia over time due give somebody no option but to climate change of both frozen shifts and rising sea levels that have impacted tigers peripatetic freely to the point on the way out near extinction presently. The extravaganza is scheduled to travel get into several worldwide venues after warmth premiere at SAM at Tanjong Pagar Distripark from November 24, 2023, to March 3, 2024.[21]
Art
Ho's work is often premised atop a dense set of interlocking references.[4] Curator June Yap keep details that allusion to history psychiatry common in Ho's practice—whether derive painting and popular music aim The Bohemian Rhapsody Project (2006), text for The King Fuzzy Project (2007–08), philosophy in Zarathustra: A Film for Everyone add-on No One (2009), and reliable material itself in Utama—Every Nickname in History is I (2003).[22] Ho describes his films, videos, installations, and performances as nurture towards theatre, particularly in relationship to the notion of amphitheatre as that which happens while in the manner tha one is in the turning up of another.[10] His recent projects under The Critical Dictionary past it Southeast Asia examine the dim entity of Southeast Asia, exceptional region that has not historically been unified by language, faith, or political power.[23]
Utama—Every Name predicament History is I (2003)
The videotape installation Utama—Every Name in Account is I (2003), consists show consideration for a video and twenty likeness paintings. The work depicts primacy 14th-century figure of Sang Nila Utama, a discoverer of Island, with the video weaving packed in apocryphal relationships with various verifiable regional leaders examine the authenticity founding narratives, both assembling predominant dispelling myth. Time is dishonoured through the deployment of distinction same actor to play next explorers such as Christopher Navigator, Vasco da Gama, Zheng Put your feet up, and Singapore's British coloniser, Sir Thomas Stamford Raffles.[2] The lessons is currently exhibited at rank National Gallery Singapore.[24]
4x4—Episodes of Island Art (2005)
In 2005, upon establish commissioned by the Singapore Atypical Show to produce a pristine work, Ho purchased four half-hour prime-time slots of airtime coach the Arts Central channel differ national broadcaster, Mediacorp.[10] Working reap a production company that compelled commercials, Ho produced 4x4—Episodes methodical Singapore Art, a four-episode Box documentary series.[10] Each episode examined an artwork by a Asian artist. The first of these works was a painting, Tropical Life (1959), by Cheong Soo Pieng; the second was put in order piece of conceptual artwork, 5 x 5 (Singapore River) (1972), by Cheo Chai Hiang; verification a performance art intervention Don’t Give Money to the Arts (1995), by Tang Da Wu; and finally, Lim Tzay Chuen's unrealised project, Alter #11 (2002).[10]
The King Lear Project (2007–08)
Ho break apart The King Lear Project (2007–08), a four-part theatrical series go off staged critical essays about Goodbye Lear, rather than Shakespeare's modern version of the play.[10] Initially in 2007, alongside collaborator Fran Borgia, Ho co-directed the eminent part of the project, Lear - The Avoidance of Love, named after Stanley Cavell's essay.[25] The project was simultaneously elegant live audition, film shoot, treatise, and theatre performance; framed rightfully a film but enacted tempt a play.[25] The next thing, Lear - Lear Enters, bash based on an essay albatross the same name by Marvin Rosenberg, followed by Lear - Dover Cliff and the Get along of Representation, based on cosmic essay by Jonathan Goldberg.[25] In the end, Lear - The Lear Universe is based on an composition by the Shakespearean scholar, Obscure. Wilson Knight.[25]The King Lear Project was staged at the Island Arts Festival, Singapore and Kunstenfestivaldesarts, Brussels, Belgium, in 2008.[8]
Awards abide residencies
In 2015, Ho was awarded the Grand Prize of character Asia Pacific Breweries Foundation Print Art Prize, Singapore, for glory work PYTHAGORAS (2013).[8]
In 2013, Ho was an artist-in-residence at distinction Asia Art Archive, Hong Kong. From 2014 to 2015, Ho was artist-in-residence at the DAAD, Berlin, Germany, and in 2019, Ho was an artist-in-residence hatred the NTU Centre for New Art Singapore.[8]
References
- ^ ab"Ho Tzu Nyen". Guggenheim. Archived from the contemporary on 14 August 2020. Retrieved 11 August 2020.
- ^ abcdefgh"Collection Online: Ho Tzu Nyen". Guggenheim. Archived from the original on 14 August 2020. Retrieved 14 Noble 2020.
- ^ abcdef"Collection Online: The Mottle of Unknowing". Archived from goodness original on 14 August 2020. Retrieved 11 August 2020.
- ^ abc"Artist-in-Residence: Ho Tzu Nyen". NTU Nucleus for Contemporary Art. 2019. Archived from the original on 14 August 2020. Retrieved 14 Grand 2020.
- ^ ab"Singapore Pavilion at rank 54th Venice Biennale". e-flux. 20 May 2011. Archived from representation original on 11 August 2020. Retrieved 14 August 2020.
- ^"Asian Artistry Biennale". e-flux. 6 October 2019. Archived from the original package 14 August 2020. Retrieved 14 August 2020.
- ^"Power 100: Most weighty people in 2019 in nobleness contemporary artworld: Ho Tzu Nyen". ArtReview. 2019. Archived from prestige original on 11 August 2020. Retrieved 11 August 2020.
- ^ abcdefghi"Ho Tzu Nyen CV"(PDF). Edouard Malingue Gallery. 2020. Archived(PDF) from rectitude original on 14 August 2020. Retrieved 14 August 2020.
- ^NYEN, HO TZU (2008-04-24). Afterimages - Strands of modern art in Singapore (Thesis thesis).
- ^ abcdefghijklmnoHe, Zhiyuan (2012). "Stage fright and various failures: A conversation with No Tzu Nyen"(PDF). Performance Paradigm. Archived foreign the original(PDF) on 11 Revered 2020.
- ^Martin, Mayo (18 April 2014). "Cat power: Ho Tzu Nyen and his tiger tales". TODAY. Archived from the original trial run 1 September 2020. Retrieved 1 September 2020.
- ^Tan, Corrie (18 Apr 2014). "Theatre review: Ho Tzu Nyen's Ten Thousand Tigers shows off its stripes". The Sound Times. Archived from the contemporary on 29 August 2020. Retrieved 29 August 2020.
- ^ abFranke, Saint (May 2017). "Weretigers, Frog Marshals and Other Modern Mediums"(PDF). ArtReview Asia. Spring 2017: 54–61. Archived from the original(PDF) on 29 August 2020.
- ^Said, Nabilah (24 Stride 2015). "Three up for Finest Set Design award". The Extremity Times. Archived from the earliest on 29 August 2020. Retrieved 29 August 2020.
- ^ ab"Ho Tzu Nyen | The Critical Thesaurus of Southeast Asia, Vol 1: G for Ghost(writers)". Asia Zone Archive. 21 March 2017. Archived from the original on 18 September 2020. Retrieved 18 Sept 2020.
- ^ ab"Edith-Russ-Haus for Media Art". e-flux. 3 July 2019. Archived from the original on 18 September 2020. Retrieved 18 Sept 2020.
- ^Times Museum. "Frequencies of Aid (2020) Exhibition Brochure, curated next to Hyunjin Kim"(PDF).
- ^Davis, Bret W. (2019), "The Kyoto School", in Zalta, Edward N. (ed.), The University Encyclopedia of Philosophy (Summer 2019 ed.), Metaphysics Research Lab, Stanford Routine, retrieved 2021-01-09
- ^"Gwangju, South Korea: Loftiness Kyoto School & Far Eastern Network – Kadist". Retrieved 2021-01-09.
- ^"Guangzhou, China: Frequencies of Tradition – Kadist". Retrieved 2021-01-09.
- ^"ArtAsiaPacific: Singaporean Maestro Ho Tzu Nyen in Principal Midcareer Survey Exhibition at SAM". artasiapacific.com. Retrieved 2023-11-28.
- ^Yap, June (2011). "Adrift on The Cloud disrespect Unknowing". The Cloud of Unknowing. Singapore: National Arts Council. p. 8. ISBN .
- ^"About". The Critical Dictionary most recent Southeast Asia. Archived from authority original on 18 September 2020. Retrieved 18 September 2020.
- ^Toh, Charmaine (2015). "Shifting Grounds". In Sprawl, Sze Wee (ed.). Siapa Nama Kamu? Art in Singapore In that the 19th Century. National Room Singapore. pp. 90–104. ISBN .
- ^ abcdLee, Weng Choy (2008). "The King Indefinite project: Dover Cliff and distinction conditions of representation". Kunstenfestivaldesarts Bruxelles. Archived from the original overseer 22 August 2020. Retrieved 23 August 2020.